Adrien Brody and "The Brutalist" filmmakers are receiving backlash online for enhancing the actor's accent and the movie's architecture with AI.

Streaming service Netflix garnered 16 film nominations (mostly for "Emilia Pérez"), more than any other studio or streamer. But Universal Pictures and its Focus Features sister unit weren't far behind.

The Brutalist—Adrien Brody and Felicity Jones’ award-winning ... Forbes‘SNL’ Movie ‘Saturday Night’ Arrives On Netflix This WeekBy Tim Lammers If The Brutalist follows the same three ...

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The Brutalist used AI to tweak the Hungarian dialogue of its lead stars, Adrien Brody and Felicity Jones, while the Emilia Perez team used it to enhance vocal range.

Academy Awards will take place on March 2, with Wicked, Emilia Pérez, Anora, The Substance and more up for Best Picture. Here is the full list of nominees.

Chelsea fills in Jay and Allyson on the 2025 Oscar nominations, from shocking snubs like Jamie Lee Curtis and Nicole Kidman to Netflix’s Emilia Perez leading the pack with 13 nominations. Adrien Brody and Timothée Chalamet face off for Best Actor,

In the wake of devastating wildfires in Los Angeles that struck at the heart of the movie industry, the nominations to the 97th Academy Awards have been announced, and Canadian stories and artists scored nods across several categories,

The Netflix musical crime thriller is up for best picture as ... Part Two" and "Nickel Boys." Golden Globe winner Adrien Brody ("The Brutalist") is a favorite to get his second best actor trophy, but first he has to beat out fellow nominees Timothée ...

For a race that seemed as unpredictable as any in recent history, the 2025 Oscar nominations came and went without many huge surprises. All the expected acting contenders - including frontrunners like Demi Moore,

Demi Moore, who received her first-ever Oscar nomination for Actress in a Leading Role in "The Substance" released the following statement.

There’s no place for originality in architecture! Nobody can improve on the buildings of the past!”  Those are the second and third lines spoken in the 1949 film version of Ayn Rand’s “The