The Philadelphia 76ers were expected to challenge for the NBA Championship this season after signing Paul George in the summer to team up with Tyrese Maxey and Joel Embiid. Unfortunately ...
So, he started pushing buttons. Hardaway dialed up the defensive pressure, but Temple was ready for it. He went with a four-guard lineup next, but all that did was dig a deeper rebounding hole. He tried to account for it with more shooters on the floor, but they weren’t hitting.
Due to popular demand, Arden Theatre Company's current production of Holy Grail of Memphis gets an extension of seven additional performances. Learn more here!
The Philadelphia 76ers were expected to challenge ... a trade that would see the 76ers receive Santi Aldama while the Memphis Grizzlies would get KJ Martin, 2027 second-round pick, 2027 second ...
A WNBA team in Nashville, Tennessee, could happen thanks to a pretty familiar name—Candace Parker. Yep. That’s right, WNBA icon Candace Parker. Parker, Peyton Manning, Faith Hill, Tim McGraw, and Bill Haslam are part of a star-studded ownership group that wants to bring a team to the city.
The WNBA might have its newest expansion team, the Tennessee Summitt, with people like Candace Parker and Bill Haslem placing a bid.
Nashville is trying to land an expansion WNBA team named the Tennessee Summitt in honor of Lady Vols coach Pat Summitt. Here are the details.
Lincoln the bald eagle is famous. He lives in Tennessee but make star appearances at NFL games. Will he fly at the Superbowl?
The NBA Rookie Of The Year race has been a roller coaster this season. Entering the year, Memphis Grizzlies center Zach Edey stood as the favorite, given his NB
Due to its popularity, the world premiere of “Holy Grail of Memphis” has been extended at the Arden Theater Company through March 2. The comedy, written by Philly-based, award-winning playwright
A group that includes Candace Parker and Peyton Manning has placed a bid for a WNBA team in Nashville: the Tennessee Summitt, named after Pat Summitt.
From the 1920s to the 1940s, the South saw a surge in “race records”; a term used for recordings of different genres of music made by and for Black people. A lot of these recording artists were swindled out of fair payments by deceptive contracts in predominantly white-owned studios.