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Anton Giulio Bragaglia was the intellectual leader of Italian Futurist photography; he made his photographs in collaboration with his younger brother Arturo Bragaglia. Anton Giulio completed his ...
Italian, 1825–1903The Original Copy: Photography of Sculpture, 1839 to Today Roxana Marcoci. Essays by Roxana Marcoci, Geoffrey Batchen, and Tobia Bezzola, 2010 Exhibition catalogue, Hardcover, 256 ...
Charles Baudelaire, “Pourquoi la sculpture est ennuyeuse,” Salon de 1846, in Baudelaire, Écrits sur l’art (Paris : Le Livre de poche, 1999), 228-232. Rosso quoted in Francesco Guzzetti, “ Femme à la ...
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...
The Learning Tree. 1969. Gordon Parks I saw this film when I was 18 years old, and Gordon Parks was at that time one of my heroes. So to see a film about his childhood in Kansas was so riveting and ...
While MoMA’s lobby, where Philippe Parreno ’s Echo resides, is closed to visitors during the pandemic, the brain that controls Echo ’s consciousness remains active. Although the physical elements in ...
I grew up a hundred miles from the nearest art museum, in the infinite flatness of rural Kansas. A fifth-grade field trip brought the first opportunity to visit an art museum, where I found myself ...