Another all-Beethoven concert? But was this the Singapore Symphony's best in our writer’s 45 years of concert-going?

There’s nothing intrinsically wrong about the standard overture-concerto-symphony concert format. But to be a real success, all three pieces have to work an awful lot better than they did in last ...

Buffetted from symphonies, opera and ballet to West End musicals, film scoring sessions, and maybe even Glastonbury, the life ...

The Australian Ballet's first commissioned full-length work in 20 years, based on the life of Oscar Wilde, fails to fully ...

With gloriously inventive sets and costumes, Alex Esposito's splendid Four Villains drive a wonderfully entertaining new ...

Plunging straight into icy waters seems a typically Finnish thing to do, so perhaps it was no great surprise that Klaus Mäkelä opened his London Symphony Orchestra debut with Tapiola. Sibelius’ final ...

At London's Wigmore Hall, Julian Prégardien and Sir András Schiff reveal Schubert's great song cycle as it once may have sounded.

Strong performances and powerful direction in Gothic Opera's premiere UK staging of Donizetti's Maria de Rudenz at Battersea ...

In addition to the New York premiere of Luca Francesconi’s Duende: The Dark Notes, the evening is marked by an intriguing ...

Jonathan Miller’s game-changing mafioso setting of Rigoletto returns to the Coliseum, vividly conducted by Richard Farnes.

A unique, but at times frustrating performance of Brahms’ First Piano Concerto demonstrates Víkingur Ólafsson's qualities, ...

The star violinist and the Orpheus Chamber Orchestra bring their two-night traversal of Mozart’s complete works for violin ...