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Aug 31, 2023 · Exhibition Tour—Manet/Degas. Join Stephan Wolohojian, John Pope-Hennessy Curator in Charge, and Ashley Dunn, Associate Curator, to virtually explore Manet/Degas. Ashley E. Dunn. October 10, 2023. Video.
What Makes a Portrait? - The Metropolitan Museum of Art
Aug 24, 2016 · Portraiture is about expressing the concept of a person. Sometimes a portrait might be the absence of a person, focusing instead on their belongings or environment. No matter what the subject, the positioning, facial expressions, composition, and lighting are just a few things that will affect the outcome of the photograph.
What’s in a Face? - The Metropolitan Museum of Art
Jul 22, 2021 · Portraiture was not common in the Americas prior to the sixteenth century, but during certain periods and places the genre was explored in creative and intriguing ways. In the middle of the first millennium A.D., on Peru’s north coast, potters produced great numbers of ceramic bottles in the shape of heads.
Portraiture in Renaissance and Baroque Europe | Essay | The ...
The traditions of portraiture in the West extend back to antiquity and particularly to ancient Greece and Rome, where lifelike depictions of distinguished men and women appeared in sculpture and on coins. After many centuries in which generic representation had been the norm, distinctive portrait likenesses began to reappear in Europe in the ...
How to Read Portraits - The Metropolitan Museum of Art
Jun 6, 2024 · Kathryn Calley Galitz: How to Read Portraits is the twelfth book in the How to Read series. It is true to the series in that it is meant to be accessible to a broad audience as an introduction to an important aspect of art history, using works in The Met collection to explore the topic. While previous titles focused on a subject grounded in a ...
Portrait Painting in England, 1600–1800 - The Metropolitan …
Portraiture has played a dominant role in England since the Renaissance, when the arts declaimed the legitimacy of the Tudor dynasty, while the Protestant Reformation effected a drastic decline in commissions for religious images. A relatively stable monarchy in concert with a powerful landed aristocracy provided continuity and patronage.
Roman Portrait Sculpture: The Stylistic Cycle | Essay | The ...
The portraiture of Constantine the Great , who defeated his rivals to become sole emperor in 324 A.D., is unique in its combination of third-century abstraction and a neo-Augustan, neo-Trajanic classical revival. Constantine favored dynastic succession and used the homogeneous precedents of his predecessors to present his sons as his apparent ...
The Power of Portraiture: Selections from the Department of …
Oct 13, 2022 · Their prints, along with those by Lorna Simpson, Charles White, Fred Wilson, and John Wilson, reveal the expressive potential of portraiture. By depicting both anonymous sitters and well-known figures such as Malcolm X, Lena Horne, and Dr. Martin Luther King, Jr., these artists call attention to the relationship of representation and power.
Featured Publication: - The Metropolitan Museum of Art
Written by a team of international scholars, The Renaissance Portrait provides new insight into the early history of portraiture in Italy, examining in detail how its major art centers—Florence, the princely courts, and Venice—saw the rapid development of portraiture as closely linked to Renaissance society and politics, ideals of the individual, and concepts of beauty.
Roman Portrait Sculpture: Republican through Constantinian
Roman portraiture is unique in comparison to that of other ancient cultures because of the quantity of surviving examples, as well as the complex and ever-evolving stylistic treatment of human features and character.